originally released in 1973, dream on dreamer is a fine collection of songs. it was the last album to feature guitarist and songwriter robbie van leeuwen, all the songs are written by him. the arrangements are simple, the sound is tight and the playing solid. highly recommended to all shocking blue fans and anyone who wants to hear some of the best hidden gems in rock music history.
remastered audio 180 gram audiophile vinyl.

der neuseeländische multiinstrumentalist jordan rakei veröffentlicht sein hervorragendes debütalbum auf ninja tune! der erst kürzlich bei ninja tune unter vertrag genommene jordan rakei hat den kampf mit seinen inneren dämonen ausgefochten und währenddessen ein inspirierendes und bewegendes album aufgenommen. genannt hat er es -wallflower- (-mauerblümchen-). mit nur 25 jahren ist der multiinstrumentalist, sänger und produzent, der in neuseeland geboren wurde, ein seltenes talent, dessen eigenständiger ansatz für soul-musik ein klangliches und emotionales bewusstsein in sich trägt, dem viele andere künstler ihr ganzes leben lang hinterher rennen. er schreibt mit einer reife und einer solchen begabung, die man bei seinem alter kaum vermuten würde. mit seinem neuen album -wallflower-, das mitte september auf ninja tune erscheint, lotet er die grenzen seines genialen, oft sonnenbefleckten sounds aus, mit dem seine fans ihn kennen- und lieben gelernt haben. diese leichtigkeit, die von vornherein das rückgrat seines sounds war, ist nach wie vor stets zu hören und blickt zurück auf seine zeit als teenager, als er mit seiner geliebten mpc im schlafzimmer versuchte 9th wonder oder pete rock nachzueifern. auf -wallflower- haben sich die geräte etwas verändert und der entstehungsprozess weiterentwickelt. der fokus liegt nun auf live-instrumentierung, doch groove und rhythmus bleiben unverkennbar. so schafft er es, soul und jazz in ein wahrlich pulsierendes werk zu rahmen, das gleichzeitig an seine stilistischen vorgänger the roots sowie freunde wie the internet, nick hakim und hiatus kaiyote erinnert.

time for something a little different from public release.
eye o is the convergence of a few bay area stalwarts—kevin woodruff, formerly of tussle, and jason schwartz - and “deux o & debut” is their first studio-recorded public offering. the five-track, fifty-minute- long lp is a weaving journey through a pastiche of styles that’re all nephews, cousins, brothers, sisters of one another. kraut-rooted motorik drums reconfigure into more complicated math-y patterns, razor-sharp dance-punk guitars stretch out and dissolve into dubby post-rock atmospherics, synth loops you’d more commonly find in house tracks get grafted onto fuzzy psychedelic breakdowns, hard rock licks lock into chunky industrial grooves.
less for dancefloor destruction and more for trippy weekenders, the instrumental record manages to both be a focused, cerebral, conceptual hunk of fat to chew on and a spaced-out, intuitive ride through the cosmos. for use during those off-kilter small hours of the night just as much as it is vision quests and introspective weekends. it’s rare that an outpouring of so much can feel so simple and sublime.

home recorded above a lawyers office and next door to a brothel, the retrospective is lead by the earth shattering digi stepper rock steady. originally intended for an abandoned dub album, rock steady and fantasy dub were saved from the cutting room floor by australian cd-only compilations on creative vibes and vital collective clan analogue, while green river was never released. now demanding wider appreciation, the dubs finally find union with green man’s new york hip hop/dancehall style, lifted from his second solo album the blue hour vol. 3: deep blue. humbly excelling in all electronic forms, rantzen helped guide techno-rave duo itch-e & scratch-e through the 90s with paul mac. winning the inaugural best dance release category at the 1995 aria awards, mac thanked all of sydneys ecstasy dealers, without whom this award would not be possible, while rantzen stayed at home. the two would also operate incognito as boo boo & mace and screensaver, often collaborating on looney dubs with sheriff lindo - the master of seismic shocks down under. rantzens earliest work stretches back to pelican daughters, an ensemble who proliferated industrial-leaning ambient and tape loop experiments

this album is the result of a long personal journey and is conceived as a series of small tales.on stage or on cd, the dreamlike world of renart will take you away. between solitary experimentation and acclaimed electronic performances, he keeps surprising us.renart weaves melodic and melancholic atmospheres through tales which give free rein to our interior wanderings. at the crossroads of repetitive musics, 70s psychedelic rock and modern techno, renart creates powerful nagging rhythms and sharpens his future tracks in his misty castle of malpertuis.

first release in a series of four compilations, which includes international artists of the slow-industrial, tribal and experimental scene. lyon based new label kump presents a stunning debut with a 5 tracks vinyl compilation. opening with new project ricco by label boss himself markus gibb and french producer jutix aka hlm38, gilbert & george would be the perfect soundtrack of an immersive nightmare in slow motion. distorted hats and ghosty voices from the graves surronding by detuned guitar and discreet acid cuts. followed by a middle east psychedelia inspired, pletnevs thinder fit in the perfect definition of a dusty weapon. mystic melodies and mesmerizing bass for suave basement parties. turn over, ju-ju83 is flirting with depression and nihilism. untimely end takes you to an obscure journey in the 80s with this new-wave-ish banger. where drum machines hangs out with rock bass and dying voice. nirvana by lithuanian producer roe deers is a subby minimalist down tempo triplet drive by weird-melodic synths. killing the codes, this is truly musical rollercoaster for insensible souls. last breath with markus gibb, his dernier souffle is a shamanic ambient and subliminal eno-ish track. ethereal grace synths and smoky reverberations, this is the track to cross the nevada desert, psychotropes loaded

the funk runs deep and rich on world wide funk, bootsy collins’ first studio album since 2011’s tha funk capital of the world. populated with musical friends old and new, and recorded in his cincinnati home’s bootzilla re-hab studio, world wide funk marks both a reckoning and significant reboot, if you will, for the rhinestone rock star monster of a doll baby baba! blue-chip rappers like doug e. fresh, big daddy kane, dj quik, dru down, and chuck d, along with guitar shredder buckethead, join a bootsy-curated posse of fresh new artists on a record that embraces everything from the classic p-funk sound bootsy pioneered to the closest collins has ever come to radio-active, boots on the ground, friendly fire in a musical-p-rated-adventure.
the limited splattered double vinyl is housed in a gatefold sleeve in comes with download code and booklet.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

without new jersey native kerri ‘kaoz’ chandler, house—specifically deep house—would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerri’s dj sets take him all over the world and often find him playing live keys next to his informed selections. he’s meticulous about sound, too, which means that no-ones kicks hit quite like kerri’s. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration.
the double vinyl is housed in a gatefold sleeve with download code included.

artificial dance is a new record label from amsterdam. this is the imprint’s debut release. it is the first ever release from young dutch dj/producer job sifre, previously best known for his fortnightly antikunst show on esteemed amsterdam institution red light radio.
worries offers an extended glimpse at sifre’s unique musical vision. it is one that draws heavily on vintage electronic music for inspiration, but also feels fresh and futurist in tone. in turns dark, industrial, hypnotic and mind-altering, the six-track ep bristles with impactful moments of magic.

on the spectrum does, new york avant-rock musicians che chen and robbie lee create three earthy and slow moving pieces, informed as much by various global folk traditions as they are by 20th century composition and improvisation.their ‘anything goes approach to improvising leads to a sonic document that sounds raw, intense and freshly exciting. a wild and shambolic brew sounding like nothing else.

released in 1974, téo azevedos first album grito selvagem (wild shout) is an irresistible blend of soul and rock with an unmistakable brazilian character. as many other lost gems of time past, the album found little commercial success, and still during the 70s teo turned forever to the true brazilian popular music the forró, the roots of sertanejo and the rhythms and traditions of brazils often forgotten countryside becoming, from then on, a genuine cultural reference in brazil not only as musician and composer, but also as a poet and researcher of popular folklore, being awarded the grammy latino prize in 2013.

abschaum is a rock band from lyon, incredibly good, which is trying to keep the mystery on their identity. sacha met them last year when they played an improvised concert at heart of glass, heart of gold, a festival in the middle of france, and felt under the charm of the energy of the band... few months later they recorded this lp, and what the fuck !! this was just mindblowing !! macadam mambo is presenting here one of its best release, in the influence of bands such as can, amon duul 2oralainbashung... abschaum will be on tour from october till the end of the year, so if you have the chance to see them playing don t miss it!

groundbreaking debut album from funk rock pioneers funkadelic, including all the alternate 45 versions, and the ssociated non album b-sides.

after making waves a few years back via his potatohead people project (with astrological) and co-producing illa j s critically acclaimed self titled lp, vancouver based playboy & producer nick wisdom steps out from behind the boards to deliver his first solo release for bastard jazz. the -intimate strangers- ep mines deep into nick s proclivities for disco, hip-hop, and house flavours. -good times- kicks things off with a snapping four on the floor, deep rhodes chords and a rollicking bassline and vocals courtesy of mr. wisdom himself. -feelin alright- heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of reva devito (hw&w, kaytranada). on the flipside -don t tell- brings in some 80s boogie vibes with downlow vocals from san francisco s k-maxx, while -rock the cash bar- is an instrumental party rocking hip-hop jam sounding like a modern day showbiz & ag.

leroy burgess - one of the pioneers of boogie, a legendary figure in the nyc disco scene and all-out originator is well known by dance music aficionados across the globe for his output. his logg project from the early 80’s especially has acquired a cult status amongst diggers, released on salsoul in 1981 and boasting mixes from larry levan the lp became an instant club classic that still commands the dancefloor in 2017. salsoul is a label that isn’t afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. they understand the impact and influence their music has had on dj culture and embrace it wholly. step up uk underground producer marquis hawkes who originally approached salsoul with this set of killer reworkings that had long been private versions that featured in his sets. having dropped ep’s for labels such as dixon avenue basement jams, aus music, houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. adopting a classic us style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, hawkes seemed a good fit to remix 2 stellar joints from logg s catalogue. something else and i know you will both get cut up, re-edited and laced with rock solid drum programming by hawkes on this sublime 12’’. lovingly tweaked with just the right amount of rawness for the dance this one won t leave your bag anytime soon! pure peak-time sounds here, another example of salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. essential.

‘oma is an immense piece of work, taking its sonic cues from borderlands while expanding them into far wilder territories. organic clashes with electronic in a whirlpool of tribal head banging, fragile introspection and beautiful sonic architecture. skittering rhythms, rock solid basses, angelic vocals and heartbreaking instrumentation are guaranteed to make oma one of the most notable drum & bass albums of 2017 and conduct one of its prominent acts.

tyrees is an up and coming, london born and bred producer and dj with a heavy focus on breaks, bass and pads. his sound pays homage to and is an evolution of the elements that were so crucial in the uk dance music scene throughout the 90s and onwards. his love for hardcore, jungle and drum n bass of the early to mid ‘90s is principally important to the formation of his style. producers like tyrees are taking full advantage of the current wave of innovative and experimental styles of electronic dance music. with great respect and adoration, tyrees is combining percussive elements, rhythms, structures, samples and tempos from many genres and eras, creating familiar but fresh, unique and exciting sounds. aside from electronic dance music, tyrees is deeply interested in a broad spectrum of musical styles, notably the many sub-genres of jazz, soul and funk from the ‘60s and ‘70s, hip hop culture which was so heavily inspired by this music, and anything else from rock and orchestral pieces to world music and obscure osts. this obsession with music is apparent in the overall sound of his productions. “tidy” is a smooth and subtle journey through beautiful sample based pads, chopped breaks, synth lines and vocal samples. it is a gradually rising force, evolving with delicate bass and synth tones and a mysterious vocal narrative. it effortlessly transitions into a melodic latter half, concluding with a climactic, explosive drum

an-2 and samos have turned the clock back to finish off a couple of sessions theyd recorded together years back. maxim samos is our keen friend and sophisticated guitar player from minsk, belarus that we know for years. his first appearance on theomatic was back in 2008 with space-rock tune alpha storm, which received lots of positive feedback and found its way to the prins thomas live at robert johnson compilation. as well as guitars, maxim can play almost any string instrument and, on one of his erstwhile trips to istanbul, he dropped by a music store, picked up a saz and immediately set it alight, blowing away the entire staff. after scoring a big discount, he came out, clutching it in his hands. an-2 commented on samos playing on the saz during one of his first visits to minsk, and immediately suggested cutting a track together something that took 10 years, but the wait’s been worth it. what weve got is surreal halal-acid-folk-disco affair, perfect for whirling dervishes or dancing the dhikr. the storys continued on the b-side, where were treated to a tale of trips in a gti, before finishing with a nordic saga about cold fronts coming at us from behind the polar circle.

the latest installment on roam recordings features nozz aka damon jee aka jérôme da silva. most known as damon jee for his widely acclaimed remixes, jérôme has been branching out with outstanding originals under his nozz alias. in his misfits ep for roam nozz delivers two excellent new productions. the title track is a cool rock infused guitar laden stunner with class and attitude while hippy home is a dreamer of a tune perfect for greeting the sun or losing yourself in a closed eyed dance session. the misfits ep comes with two top remixes from the emperor machine and autarkic. the first remix is a tour de force performance with a sound that is unmistakably the emperor machine – intricate, dubbed out, lasers, and superb production. autarkic s version of hippy home adds an eclectic edge to the ep with a cacophony of orchestral and quirky sounds that somehow perfectly keep in line with the stripped down feel of this remix. the misfits ep brings together three artists at the top of their game and is a fine addition to the ever growing roam recordings catalog.

inclusivefour locked grooves! long running label dont presents 2 beast tracks from minneapolis techno legend paul birken making his 5th appearance on the label. paul has been in great demand the last few years regularly touring the usa and europe with his incredible live set up. these tracks both feature his trademark heavy crunch and literally pummel any sound system theyre played on. also included are 4 rock solid locked grooves featuring beats from the tracks. this release is presented on clear 10inch vinyl and is strictly limited to 300 copies.

paul simon’s 1973 album back on 180 gram vinyl, housed in a gatefold sleeve. comes with download code included.

original released in 1988, tougher than leather was the culmination of the rap/rock road that run-dmc travelled in since their earlier albums king of rock and raising hell. pressing on 180 gram vinyl

der neuseeländische multiinstrumentalist jordan rakei veröffentlicht sein hervorragendes debütalbum auf ninja tune! der erst kürzlich bei ninja tune unter vertrag genommene jordan rakei hat den kampf mit seinen inneren dämonen ausgefochten und währenddessen ein inspirierendes und bewegendes album aufgenommen. genannt hat er es -wallflower- (-mauerblümchen-). mit nur 25 jahren ist der multiinstrumentalist, sänger und produzent, der in neuseeland geboren wurde, ein seltenes talent, dessen eigenständiger ansatz für soul-musik ein klangliches und emotionales bewusstsein in sich trägt, dem viele andere künstler ihr ganzes leben lang hinterher rennen. er schreibt mit einer reife und einer solchen begabung, die man bei seinem alter kaum vermuten würde. mit seinem neuen album -wallflower-, das mitte september auf ninja tune erscheint, lotet er die grenzen seines genialen, oft sonnenbefleckten sounds aus, mit dem seine fans ihn kennen- und lieben gelernt haben. diese leichtigkeit, die von vornherein das rückgrat seines sounds war, ist nach wie vor stets zu hören und blickt zurück auf seine zeit als teenager, als er mit seiner geliebten mpc im schlafzimmer versuchte 9th wonder oder pete rock nachzueifern. auf -wallflower- haben sich die geräte etwas verändert und der entstehungsprozess weiterentwickelt. der fokus liegt nun auf live-instrumentierung, doch groove und rhythmus bleiben unverkennbar. so schafft er es, soul und jazz in ein wahrlich pulsierendes werk zu rahmen, das gleichzeitig an seine stilistischen vorgänger the roots sowie freunde wie the internet, nick hakim und hiatus kaiyote erinnert.

million brazilians formed in portland, oregon in 2006. founding members grant corum and suzanne stone have been central to the band since its inception, while a rotating line-up backs them depending on the latest vision for the sound. tip! the band carry out their own interpretation of a genre bending ethos that has evolved throughout the american underground. drifting between boundless compositions, focused energetic improvisations and experimental collaborations that embrace a weird sort of transcendence. their next installment red rose and obsidian was recorded in maine and engineered by big blood’s caleb mulkerin. both he and the band deliver a powerful yet fragile and personal release. the mythical and evocative recordings are inspired by maine s rugged coastlines, mournful ripples of sound wash up on the shore, whilst a lonesome, at times harrowing saxophone drifts through the rolling mountains, providing unsettling melodic interludes. electronic treatments veil organic sounds, a fleeting whistle meets spontaneously with spacey flutes, mutated rock rhythms are topped off with the soaring vocals of suzanne stone who leads the listeners into the magical world of the million brazilians.

true to traditional form, where the gods are in peace pays respect to the forefathers of afrobeat with compositions spanning nine to 15 minutes in length. with a blessing from the fela kuti legacy early in the band’s career, antibalas has long been revered for re-popularizing the classic afrobeat sound while adding their distinct new york city grit to the mix. influences of punk rock, free jazz, and hip-hop seep into their expansive works to define a truly 21st century translation of the afrobeat genre and beyond.
the vinyl lp includes a download code.

ugly papas were one of the leading acts in the belgian rock scene in the early part of the 90s. 23 years after their final release, they are back with their third full-length album. feisty indie rock, jazzy loops, zappa-esque episodes and fela kuti rhythms. with luc dufourmont (two russian cowboys, id!ots, bevergem) on vocals.
the vinyl release includes a download code.

dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held, renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco, dreamlike passages, vocoder lullabies, and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control, performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.

lange hat uns der wiener elektronikmusiker klaus waldeck – zuletzt bekannt durch sein legendäres album »ballroom stories« (2007) – warten lassen. die vorfreude ist groß und waldeck hat auch gleich eine Überraschung für uns parat: sämtliche titel wurden auf italienisch eingesungen - und zwar von der fantastischen neuentdeckung, der wiener sängerin heidi moussa-benammar (»la heidi«).
waldeck selbst möchte gran paradiso als eine »spaghetti & western« produktion bezeichnet wissen: »gran paradiso, das ist einerseits hommage an den legendären sound des italo-westerns – andererseits spürt es auch den sentimentalen klängen des italienischen canzone nach - jedoch stets mit der nötigen ironischen distanz.« »italienisch... schon die sprache klingt nach musik«
der sound des albums trägt waldecks unverkennbare handschrift. gelegentliche einsprengsel von tango, dub und reggae runden dieses abwechslungsreiche sommeralbum ab.
alles in allem: ein entspanntes sommerliches album, das man auch gerne im herbst und winter hört, um sich daran zu erwärmen.

west side story became the smash hit stage musical of 1957 through a combination of leonard bernstein’s dramatic score with jerome robbins exuberant dance routines. the long awaited film version arrived in 1961 and starred richard beymer as tony, rita moreno as anita and natalie wood as maria. its original soundtrack album clocked up 53 weeks on top of the billboard stereo albums chart and 12 on the mono, making it the album with the most weeks at number 1 of the rock (post 1955) era.

a pluck from the obscure like only pacific city sound visions can. these guys tap in where other s tap out. limited numbers, don t miss this truly unique lp. tip! alternatively titled: homoswavesailors, jack cccoys 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sports originators. backing up the clear 80’s blue visuals of waves white washed wind blasted fx, is a variety of original pop and synth music made by the films composer, chris eggleton. there are no song titles, rather each track is spiced-up with wind and wave sound fx, which were originally meant to act as sound accents for wave sail action in the film. the pop songs are beach-spiked hits, sounding like new zealands flying nun rock, or blasted out prince chorus funk, but with added film sound fx, the essence of the silver screen begins to creep into the medium of audio disc! the synth music on tradewinds sounds as if tangerine dream made inspirational beach movie tracks during the height of their firestarter period. the mix is arranged by pacific city, so that the summer doesnt crash and burn. for the first time in history, pacific city sound visions presents: the original motion picture soundtrack to tradewinds on vinyl lp.

we’re really pleased to present you with the full vinyl lp collaboration between the highly respected jazz spastiks and up and coming mellosoulblack. “midnight method” features 11 full tracks, including the highly acclaimed single, “what you heard” and back-to-back heaters such as “follow the leader” and “rock the spot”. this comes on black vinyl (in a polylined inner) with a full picture sleeve, there are 250 copies available for retail. make no mistake: this one s a strong contender for album of the year, so dig in!

bombastisches 6. album der white stripes - ein modernes rock’n’roll meisterwerk! das doppel-vinyl erscheint im klappcover.

32 original recordings from chuck berrys chess years on 180 gram double vinyl, housed in a gatefold sleeve.

geodetic is the joint venture of well-known italian experimentalist claudio rocchetti, a close collaborator of valerio tricoli, and jukka reverberi, founder of post-rock band giardini di mirò and half of cosmic electro-disco duo crimea x.instruments of discipline is proud to release cold lights , geodetic s second ep, the follow up to broken consonance , released on maple death records earlier this year. cold lights is an avant-garde undertaking that artfully weaves soundscapes that swing between murky industrial atmospheres to moments of uplifting levity, all held together by strong rhythmic grooves, a collage of at times familiar sounds juxtaposed into an altogether unfamiliar whole.

listing somewhere between the cognitive and the corporeal comes the third release from gratone.-the periphery of a building-, a live remix work featuring long-time collaborators audun kleive on percussion and jan bang on live sampling sees the young norwegian label expound on the territories between extended jazz and the dance floor through a four track lp. veterans audun kleive and jan bang tap into something innate that moves perpendicular to the techno ethos perpetuated by the label s previous releases. -the periphery of a building-, is a work that brings the past into the present and draws a red thread between genres. it juxtaposes disparate ideas between the dance floor and jazz, and ensnares itself in the tangled web of tradition and progress in a bold indefnable musical dialect. upholding the ethos of gratone by negating expectation -periphery of a building- also calls in a new era for the young, but fertile label. -periphery of a building- is kleive and bang reconsidering live punkt remixes* of etenesh wassie & mathieu sourisseau, atomtm and clarinet factory & floex. in their selection of source material for the gratone lp, they eradicate, and then reconstruct tradition. *the punkt live remix concept puts third-party musicians, producers and composers in a real-time remix situation during a punkt festival live show. fiona talkington: stian balducci s gratone (grey tone) label inhabits an exquisite genre-defying world.the latest release features two of norway s legendary, pioneering musicians, live sampling guru and co-director of the globally acclaimed punkt festival jan bang, and audun kleive, a musician whose work over the decades has repositioned the language of drumming. together they forge an exquisite, adventurous path, as delicate as chamber music, as powerful as rock, and engage with samples with respect, a spirit of adventure and a creative vision which is simply inspiring. limited 180gram vinyl in hand stamped recycled cardboard jackets with silkscreen print.

3 original amiga klassiker von city in einer sammlerbox: unter der haut, casablanca & rauchzeichen.

fulminantes debütalbum der amerikanischen americana- und alternative country formation sarah shook & the disarmers!
die aus north carolina operierende band bewegt sich galant zwischen americana, alternative country und indie rock. sarahs lyrics überzeugen auf ganzer linie und sind verblüffend ehrlich und kompromisslos. authentische songs aus dem herzen amerikas, gespielt mit einer intensität, die unter die haut geht. mit ihrem debütalbum “sidelong” werden sich sarah shook & the disarmers sicherlich auch hierzulande in die herzen der americana fans spielen.
das 180 gramm vinyl erscheint inklusive downloadcode.

1977’s fire woman is perhaps the finest (and rarest) of foundars 15’s albums, offering a spicy buffet of groovy pop, reggae, native rock and dense, off-kilter funk. long sought after by aficionados, fire woman has been an lp that is more often heard about than actually heard.
that is about to change.
comb & razor sound is proud to present a new, fully-authorized reissue of fire woman, featuring eight crucial cuts representing the gold standard of the golden age of nigerian pop music. here’s your chance to catch the fire!

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the earliest 1970s, he pioneered the vocal approach called ôtoasting,ö which in addition to branching out jamaican music into a new era, was also heavily influential on an american genre in its infancy: rapping. on dread in a babylon, his third full-length, he stretches out over traditional roots grooves provided by the soul syndicate and skin, flesh & bones bands, riffing on topics including love (ôrunaway girl,ö a 1975 single released in the uk on virgin records), the bible (ôthe great psalmsö), walking the straight and narrow (ôlisten to the teacherö), and even his take on governmental policy goals (ôchalice in the palaceö). the album finishes with an instrumental version of bob marley & the wailersÆ ôtrench town rock,ö for good measure. u-royÆs style and charisma are always on display, and û as with all of his classic records û the groove rules all. presented on black vinyl with a poster of the glorious, ganja-drenched cover art, itÆs the perfect chance to revisit one of the more underrated voices in jamaican musical history.

win2win, aka black spuma, aka lauer and fabrizio mammarella. is that enough names? new project from two of slow motion s most loyal artists fantasia 500 channels the spirit of detroit electro and even dare we say it ghetto house through the disco grinder to make something totally new. with enough chug and swagger to rock any floor this four tracker is 100% party ready.

teaser-single des fantastischen indie-rock-quartetts aus glasgow, bevor im herbst ihr deb³talbum erscheint. dieses jahr spielten sie bereits beim sxsw, und im juni sind sie als support von real estate in deutschland unterwegs.schwarze 7- in standard sleeve inklusive download card

scorned by critics at the time of its release, miles davis 1972 album >on the corner< is now seen as a forerunner of post punk, hip hop, drum and bass and electronic music, thanks to its revolutionary recording techniques. miles wanted to reconnect with a younger audience, who had forsaken him for rock and funk, and the experimental >on the corner< was his answer. leaning more heavily on a drum and bass groundwork, the overdubs consisted of free improvisations held in the studio. >on the corner< isnt one of miles easiest records to listen to, but it can yield the most fruits. now released with completely re-mastered audio on 180 grams audiophile vinyl in gatefold sleeve.

file under funk / breaks ... limited to 300 copies, a new label showcasing top funk producers on the scene.

demon fuzz’s extraordinary album afreaka! demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, afro-jazz and black acid rock.

monumental house anthem alert! another classic jammer from 1992 lifted straight from the strictly vaults. this one s huge. phuture aka acid house pioneers spanky and dj pierre (with a little help from roy davis jr) turn in a driving, acidic monster in true wild pitch style. probably the only record that begins with a sinister voice saying this is cocaine speaking before diving head-long into one of the best anti-drug house records ever. absolutely brilliant. bubbling 303 basslines and cavernous handclaps combine with a funked out, dubbed out synth line that just doesn t stop. phuture will survive, and they weren t lying when they said that as this record (among too many others they had a hand in) still rock today. yep, still fresh. tried and tested, often imitated, never bettered. phuture are the originals. open up your eyes (and ears). this one s a tasty 2017 reissue and remaster, featuring all 4 mixes as per the original release way back when. essential stuff here. you simply need this one.

here at quantize we simply love confounding expectations cos, guess what? we love all kinds of music and don t like to be stereotyped. but this one even surprised the hell out of us so much so that we figured it deserved a 7inch vinyl release in tribute to the original format. think (about it) was originally recorded 45 years ago in the summer of 1972 by the fiery lyn collins. produced by the godfather of soul, james brown, it barely scraped into the rnb top 10 at the time and normally would have faded into time as just another great james brown produced record but in 1987, it started to get sampled by a new generation of hip-hop artists like roxanne shante and robe base and dj e-z rock. suddenly the world woke up to the possibilities of sampling and since that point, think (about it) has been sampled 1908 times and is the no.3 most-sampled record of all time. so we decided to cut a new version of it with real musicians and one of the few vocalists that would be capable of matching lyn collins firepower - dance music s diva supreme, the incredible barbara tucker. we wanted barbara to really cut loose on this and she didn t disappoint. and yes, those are real keyboards, real guitar and real horns. believe us, this session was off the scale! so when we finally got our breath back we decided we had to get this out on a 45 on its 45th anniversary! it seemed the most appropriate way to do justice to a record that simply jumps outta the grooves. we believe think (about it) will have universal appeal pretty much everywhere since the song is now implanted within the dna of dance music across the world.

wiederveröffentlichung des 2010er albums mit mp3 download-coupon. pontiak ist eine us-amerikanische psychedelic rock-band, die 2005 in baltimore gegründet wurde. sie setzt sich aus den brüdern jennings, lain und van carney zusammen. auf ihrer farm in der nähe von warrenton, virginia, nehmen sie einen mix aus psychedelic rock und folk auf.

it was the 23rd century, mankindÆs darkest hour. the war had been raging for almost a hundred years. we had been fighting for so long, no one could even remember the reason why it all started in the first place. for decades millions died for the same piece of rock. again and again and again. the hope was to start over, free from the prejudices that had divided us for so long. that was 800 years ago. when we came here to rebuild our lives. weÆve come a long way since then, we have grown, we have prospered, we have flourished, but we will never forget.